In the Song Dynasty, the jade production peaked at the peak of the Song Dynasty, and Peiyu was the most "tidal" at that time.
A top jewellery exhibition featuring jade and beading - "Yu Run Zhu Yuan" will be held on the 18th of this month at the Wuhou Temple Art Museum in Chengdu (Jianxin Temple). The number of jade articles in this exhibition is more than 80 pieces, mainly based on small white jade pieces, with a small amount of ornaments; the number of bead ornaments is more than 40 pieces, mainly Bodhi, Dzi Beads and Nanhong. It is reported that the exhibition will be open to the public on November 23.
The exhibition hosted the Huaxi Dushi Bao reporter to expose a lot of treasure-level exhibits in advance, from the earliest Neolithic jade to the gentle and elegant jade in the Song Dynasty, to the white jade carvings in the Qing Dynasty. This exhibition is called a Read the chronicle of the millennium evolution of Chinese jade.
Gentleman has no reason, jade does not go to the body, gentleman and jade than Germany. In the hearts of Chinese people, jade represents auspiciousness. From ancient times to today, Chinese people like to protect their bodies with jade, protect their peace and ward off evil spirits. From a certain perspective, Yu is called the spiritual totem of the Chinese. The 120 collections of this exhibition are all from one person. He is an expert from the former China Christie's China utensils department and Iranian British collector Nada Rasti. He has been collecting jade for decades, and this time he carefully selected the most representative 120 items to ship to Chengdu.
The oldest of the exhibits is a brown-black jadeite, produced in the Neolithic Age seven or eight thousand years ago. It is understood that this is the stage of the birth and origin of Chinese jade. This piece of Yulezi has the shape and material of the typical Neolithic Age and is the representative work of decorative jade in this period. The whole body of the Yulezi is made of brown black jade, which changes from brown to black from top to bottom. The jade is warm and smooth, with simple and calm aesthetic features. It is polished and meticulous.
The Song Dynasty was a peak period for the production and production of Chinese jade. The Song people used Peiyu as the most "tidal" behavior at that time, and this exhibition will also display a number of representative Song Dynasty jade articles, such as Pisces. It is made of topaz, and the carved fish are large and small, with the same head and tail in the same direction. They are close to each other, meaning family and music. The details of the two fish, such as the crotch, fins, and tails, are clearly and realistically depicted, twisted and swayed, and the image is smart. This device is equipped with a ring jade ornament, which is also a topaz texture, which is more complete. The knife method of this instrument is changeable, the skill is skillful, and the meaning is profound. It is the masterpiece in the jade of the Song Dynasty.
In the middle of the Qing Dynasty, especially during the Qianlong period, it was a great peak in the development of Chinese jade. The beauty of its jade, the variety of its varieties, the precision of its carvings, and its wide application were unprecedented. In the Qing Dynasty, Yu Pei was good at drawing on the achievements of painting, engraving and arts and crafts. He collected a variety of traditional workmanships such as Yinxian, Yangxian, Kongkong and Pretty, and the artistic style of the past generations. He created and developed a jade craft with strong craftsmanship and decoration. Craftsmanship, with distinctive characteristics of the times and high artistic attainments. Among the exhibits, there is a white jade carving plate in the Qianlong period, which is very classic. The shape is simple and simple, and some carvings are performed. The carving technique is skillful and profound. The carved dragon is an "S" type and is a symbol of the kingship. The dragon head looks back, the bas-relief and the enamel-carved veil are integrated into one, which is unique and elegant, and is the best in the antique jade in the Qianlong period.
Appreciate the jade and raise the posture.
During the Qing Emperor Qianlong period, it was a great peak for the development of Chinese ancient jade. Its beauty of jade, variety, carving and application were unprecedented. This "white jade carving plate Long Pei" is a masterpiece of this period.
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