Men's apparel calls for adventurism is entering the new conservative period?

Men's apparel calls for adventurism is entering the new conservative period?

Men's Fashion Week in Paris and Milan Menswear Fashion Week from the spring and summer of 2006 to autumn and winter, a year's men's trend panoramic view, coupled with the recent large and small men's clothing show around the big, designer works exhibitions and contests debut The overall feeling is still predictable rules men's wear, coupled with some sporadic innovation. Josh Sims, an Australian fashion critic, is now sighing: “Women’s clothing is entering a booming neo-conservative period?”

In the spring and summer of 2006, men's wear and fall/winter men's wear were mostly orthodox, with many classic nostalgic cuts and low-key colors. When the fashion industry made designers more homogeneous, it became clear that neutrality and calm became a major trend in men's fashion. Under the meticulous design of designer Zucchelli, Calvin Klein's 2006 fall and winter menswear is a set of slim tailored uniforms. Even the iconic colors of the CK brand, such as light gray, emerald green and royal blue, are all classic colors. The colors and styles popular in the movies of the 1960s are highly consistent. Perhaps Zucchelli had long since given up on his own fantasies and instead used sensible orthodox design ideas to achieve some sort of market balance.

Raf Simon, the chief designer of Jil Sander, defined his debut at Milan Men's Fashion Week with deliberate convergence. He pays more attention to the treatment of long lines, and emphasizes that men's strong body, taking into account the sexy fashion and serious and practical, it is too suitable for those gold collar men who are extraordinary. This deliberately convergent style also exists in the designs of Burberry's chief designer Christopher Bailey and Jasper Conran et al. Bailey is adept at using complex fabrics to make coats with double belts, matching Burberry-style tuxedoes, knit caps, and shiny brogues. Mr. Bailey gave up the use of bright oil paintings that he was familiar with, and switched to some vague and low-key colors.

Contrary to these moderately orthodox designs, new styles are displayed by designers who are more willing to play with their creativity. For example, Comme des Garcons uses rock-rolled, flexible tongue-based costumes, including bold plaids. pants.